Thursday, December 9, 2010

Charlotte Church at The Eldridge


Photo Credit: Dara Avenius

I’ve long been a fan of The Charlotte Church Show, Youtubing it and enjoying both the sense of humor of the host and the duets she often performed with her songbird guests. So of course when I found out that Ms. Church had an upcoming listening party at The Eldridge, an intimate and exclusive venue on the Lower East Side, I jumped at the chance to attend!

Shortly after midnight, a polite but appreciative group were treated to a listening party by Ms. Church, a singer who has dazzled the Pope and countless millions of people in the past. In the low lit venue, the young woman with the angelic voice stood and sang, simply accompanied by her guitarist and co-writer, Jonathon Powell.

Giving the audience an insight into her heart, the first group of songs were noted for their melancholic tone. Let me put it this way – if you are going through a breakup, and you live in the UK, buy her album "Back to Scratch" immediately and wallow along with Ms. Church. If you are not going through a breakup, then buy it anyway, just because the songs will break your heart. They have a very pop yet folksy sensibility, the kind of thing one could see Joni Mitchell writing and singing if she were making her name today.

In between each song however, Ms. Church lightened the tone with her noted sense of bawdy humor, appealing to the audience to play along with her. This included, when there were some technical difficulties, mock-interviewing an audience member and perfectly mimicking her “Lawn Guyland” accent.

She debuted a new song, “Only Bruises”, which hopefully will be on a future album. She continued the heavyhearted tone with “Unravelling”, from her recent album “Back to Scratch.” The next song, “The Story of Us” was just a gorgeous song. I hate to use the writer cliché of “haunting”, but if the word fits, use it, and so use it I must. In this song, one could hear the soprano voice that made her famous as a child, but couched in the heartbreak of an adult who has been through a bit more of life, that voice takes on another level.

Photo Credit: Aurora Pfeiffer

“Snow”, a song written solely by Mr. Powell was a sweet tune that plays well on the ears. Taking the party to a more upbeat tone, next came “Cold California” which isn’t about actually about California at all, but camping – in Wales! After a quick riff about the difference between Wales and England, and a brief questioning on sports rivalries to explain this difference, she introduced a song written by neither a Welshman nor a Brit, but an Irishman. Her newest single “Don’t Think About It” is a pop tune best described as groovy. Yes, groovy!

The final song was introduced as a pseudo-encore song, but in the cozy venue, it would have been silly to exit and re-enter, as noted by Ms. Church. Therefore, she launched into her most well-known song, “Pie Jesu”, dazzling the audience easily. The voice has more than retained the innocent beauty of the child, but has also grown into that of a young woman who has had to abandon the blind faith of childhood through heartbreak and loss.

Wednesday, July 21, 2010

The Glass House - Theatre review

Dara Avenius | June 15, 2010 1:16 PM
http://www.citizenyc.com/news/2010/06/theatre-review-the-glass-house.html

Theatre Review: The Glass House

People in glass houses shouldn't throw their weight around; they might destroy something beautiful. A glass house lets outside viewers see all that is going on inside. Naked to the world, the creation of this glass house shed transparency and light upon a complicated and true relationship between a wealthy and accomplished single doctor, Dr. Edith Farnsworth, and her rumored relationship with the renowned architect Mies Van Der Rohe, played brilliantly by Harris Yulin.

Based upon the true story of the creation of the Farnsworth House outside of Chicago, this story brings to light the tensions between architect and commissioner, man and woman, competitors in the same field and the sexual relationships of the time. Set in the early World War Two years, we come to meet Dr. Edith Farnsworth, a prominent doctor in the 1940s, seeks to build as her weekend house a glass house in the plains outside of Chicago, so she may get away to nature.

Playing guide, catalyst and enemy to this story is Phillip Johnson, a soon-to-be renowned architect in his own right, who suggests his mentor Mies would be the right person to build the house she seeks. A recalcitrant figure, Mies embodies a man not seen as much in current times. Stubborn, willful, brilliant, private, he has a wall up that no contractor can knock down, and certainly not a woman who can go toe to toe with him in accomplishments. Although they enter into what is perceived as a mutual and loving relationship, a former lover of his enlightens Edith on his true nature and story as tensions between them only rose in regards to the cost of the house.

A closet - what every woman wants and needs plenty of causes the break in their relationship. Casually and callously suggesting she only bring one dress with her and stick it on a hook over the bathroom door, he refuses to build a closet. It would ruin the aesthetics of the place. He also argues over the furniture she seeks to put in the house.

"People say I'm a fool to build this house," Edith Farnsworth says in the play.
"You said you wanted to advance the art of architecture," Mies responds.
"I did, but I thought you were building a house for me," Farnsworth says. "My house is a monument to Mies van der Rohe, and I am paying for it."
"When you hire a great artist, you are supposed to be thrilled with what you get," Philip Johnson tells Farnsworth. "Would you tell Picasso what to paint?"


It is a perfect storm of ambition, desire, creativity and money, mixing professional and personal roles, and the roles of men and women, especially in a previous era, that all meet to form this story. Devolving into a very bitter legal fight over the house, as it lays unfinished for awhile, Phillip Johnson is then able to scoop the idea for the house and his own glass house in Connecticut, and start his own storied career.

This play sheds light on the hidden turmoil that went into creating an historic new form of architecture in the form of a glass house.

cast list
David Bishins, Gina Nagy Burns, Harris Yulin, Janet Zarish

directed by
Evan Bergman